Sunday Visit: Monica Medeiros of Bricolage Press

For Sunday Visit, Botanical Colors sits down for an interview with a luminary in the natural dye, textile and art world. This week we visit with Monica Medeiros of Bricolage Press. Learn about Monica’s history of print making and how she blends her love of letter press with natural dyes. Grab a cup of tea and settle in to learn about someone you never knew! Catch up on all our Sunday Visits here. Tell us about your origin story? How did you first find the medium of natural dyes? I started natural dyeing in earnest when I started gardening and trying … Read more

Mordant Monday: A Feedback Friday Rerun!

Today for Mordant Monday we thought we would bring a classic back from the vault and highlight one of our YouTube videos where Kathy answers your mordanting Questions!

Have fun with our video below. Don’t forget to Like, Comment & Subscribe!

See Amy’s original post below:

This week: Weeks worth of mordanting questions melded into one FEEDBACK FRIDAY!

Watch here.

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Sunday Visit: Salvation Through Soy with John Marshall

For Sunday Visit, Botanical Colors sits down for an interview with a luminary in the natural dye, textile and art world. This week we visit with none other than internationally known and revered textile artist John Marshall, an expert in Japanese textile techniques and all around funny guy. Grab a cup of tea and settle in to learn about someone you never knew! Catch up on all our Sunday Visits here. Cara: I had a really fun time visiting your website and learning a little bit about your history, You have had an amazing practice and career. Can you tell us … Read more

Mordant Monday: Chestnut, Fustic, Iron and Indigo

This week’s Mordant Monday focuses on Chestnut. We used Chestnut extract in our gradation and absolutely loved the combination of Chestnut, Fustic and Iron with Indigo. This gradation is slightly different than our previous experiments. This time I did not overdye with a warm shade like Madder, to get corals and pinks. I wanted to focus on green and blue. Like previous examples, when a tannin is combined with other colors you can get exciting mixes and beautiful color blends that harmonize and are perfect for patchwork, creating gradations and stitching. If you are a yarn person, many of these … Read more

SUNDAY VISIT: POPS OF COLOR WITH IAN ALLEN GREER

Every Sunday for Sunday Visit, Botanical Colors sits down for an interview with a luminary in the natural dye, textile and art world. Grab a cup of tea and settle in to learning about someone you never knew! Catch up on all our Sunday Visits here. This week we sit down with Ian Allen Greer to talk proving the world wrong with bright pops of color with natural dyes! Give us your origin story, why natural dyes – what drew you to this medium? I fell in love with the world of natural dyeing as a way to reconnect with nature. … Read more

Mordant Monday: Myrobalan Magic

This week’s tannin exploration focuses on Myrobalan. I changed it up a bit this week by using our mordanted cotton bandana 6-pack as the base for exploring myrobalan. The convenience was a pleasant surprise and the colors came out beautiful. Myrobalan is a traditional cellulose tannin pre-treatment and dye, and used in Ayurvedic and traditional medicine. It’s an important color and used frequently in India and Southeast Asia. Myrobalan imparts a light yellow on cotton with a subtle light brown undertone, making it an ideal foundation for color overdyeing, and indigo combinations. Like our other examples, when combined with other … Read more

Mordant Monday: Gallo Tannin, Fustic and Madder Gradation

This week’s Mordant Monday focuses on Gallo Tannin, also known as Oak Gall tannin, or Oak Galls. We used the extract made from Oak Galls in our gradation, but a similar result comes from oak galls that have been crushed or pulverized. Gallo Tannin is one of the ancient tannins with many uses, including making black ink, leather tanning, and in traditional Asian medicine. It is the most commonly used tannin when mordanting with tannin + alum, as the color it imparts is very light, and it doesn’t show a strong undertone, like sumac or walnut or other tannins with … Read more

Sunday Visit: Brittany Boles of Seaspell Fiber & Indigo Fest.

Every Sunday for Sunday Visit, Botanical Colors sits down for an interview with a luminary in the natural dye, textile and art world. Grab a cup of tea and settle in to learning about someone you never knew! Catch up on all our Sunday Visits here. This week we sit down with Indigo Doula and aficionado, Brittany Boles of Indigo Fest.

Mordant Monday: R U Mordant Curious?

For Mordant Monday, we answer your Mordant Questions and dive into everyone’s favorite topic: MORDANTS. Are you Mordant Curious? I received a great question about the mordants we carry. Like, you have so many. What is the difference? Does it really matter? Having a variety of mordant choices allows you as an artist to consider your materials before you start creating. For example: if you are dyeing a cellulose fabric, you can use aluminum acetate, or you can use a tannin pre-mordant and then apply aluminum sulfate as the mordant. They will give you different results. We’ve created a table … Read more

Mordant Monday: Spotlight on Sumac

Taking a little time to work more closely with tannins has been incredibly interesting! This week’s tannin exploration focuses on Sumac. Sumac is from the Rhus genus and its scientific name is Rhus coriaria. It’s native to southern Europe and western Asia where it is commonly known as Tanner’s Sumac or Sicilian Sumac. We are fortunate to have number of North American native sumac including Rhus glaubra, sometimes called Smooth Sumac, and Rhus typhina or Staghorn Sumac, known for its dramatic bright red berry clusters. The staghorn berries were used by indigenous people as a tea, and the bark, branches, … Read more