Join us this week, January 24, 9am PT/Noon ET for our first ever Community Gathering. We kick off our event with the intention of welcoming you into a textile community to provide encouragement, listening and connection. We are here for each other and as act of determination and hope. To participate, click the link to RSVP and Zoom will send you the login information. Can’t wait to see you all! RSVP HERE
Sunday Visit is our interview series where we sit down with a luminary, visionary and creative in the Natural Dye world. We want to bring you the best of what is out there and show off all of the amazing work being done in our community. This week we sit down with Kristin Arzt, who we fell in love with when she made her incredible rainbow coveralls. We catch up with the new mama, and learn all about her practice and what makes her tick. Tell us all about you! How did your practice come to be? I’ve always been drawn … Read more
TANNIN A TIMELESS MORDANT For Today’s Mordant Monday, we are highlighting all things tannin. Tannins are a bitter and astringent compound found so abundantly in many plants. In food, they serve as the slight pucker in black coffee and tea, and the “oaky” flavor in aged wines. Tannins are used in medicine and for leather tanning. For us, they are the natural dyer’s not-so-secret-weapon to beautiful color. For the natural colorist, tannins provide a rich base for unusual and eye-catching combinations, and they’re particularly effective on plant fibers such as cotton and linen. We have a variety of tannins for … Read more
This Mordant Monday, I want to share a little bit about my pokeberry dye adventure this past week. Those of you who know me know that I was trained to mordant nearly everything (exception: indigo). Not mordanting something that needs a mordant usually elicits a shocked, silent, but oh-so-judgey raised eyebrow, so this post is a stretch for me. The interesting thing about pokeberries is that it’s possible to get a brilliant color by using wool yarn and white vinegar. No alum mordant is used in this technique. And vinegar is not normally considered a mordant. So here we are. … Read more
For Sunday Visit, Botanical Colors sits down for an interview with a luminary in the natural dye, textile and art world. This week we sit down again with our inspiring friend Sara Buscaglia of Farm & Folk. Sara is an organic farmer, natural dyer and textile artist residing in the high desert of southwest Colorado. Her inspiration is found in the paradigm shifting slow processes of tending soil, seeds, and plants. Through her experience of being directly connected to food, natural color and fiber she has gained an understanding and appreciation of their true value. We hope you join us for her upcoming … Read more
I’m obsessed with using tannin and aluminum sulfate to create different color bases for both natural dyes and indigo. What I love about this technique is that this is a great mordant option and it’s a lot of fun to see the colors develop and take on the subtle differences between the different tannin bases. This time, we’re working with a lightweight, pre-mordanted, organic cotton suitable for stitching and quilting. We mordanted 4 fat quarters, each with a different tannin, and then tried a few dye experiments using Marigold Mix, Madder extract and Indigo. Start with our Mordanted Fat quarter … Read more
For Sunday Visit, Botanical Colors sits down for an interview with a luminary in the natural dye, textile and art world. This week we visit with the inimitable Kristin Field of Field & Gardener who has an upcoming workshop with us! Grab a cup of tea and settle in to learn about someone you never knew! Catch up on all our Sunday Visits here. We are huge admirers of your Shibori bursts, can you tell us about how this process originated for you? Thank you so much! When I first learned about capping, the thought of putting an ecoprint in the … Read more
In today’s Mordant Monday (excuse the awful pun – I found it online), we check out how to use soy as a binder for natural dyes and pigments. Before the widespread use of acrylic paints and mediums, artists had ingredients from the natural world to use for painting and printing on paper and canvas. They used a wide range of natural binders including tree sap, milk, egg, oils, minerals and other substances that helped pigments stay attached to substrates. In Japan, soybeans are the most common binder for textile work, and it serves as a sizing to add body to … Read more
For Sunday Visit, Botanical Colors sits down for an interview with a luminary in the natural dye, textile and art world. This week we visit with Monica Medeiros of Bricolage Press. Learn about Monica’s history of print making and how she blends her love of letter press with natural dyes. Grab a cup of tea and settle in to learn about someone you never knew! Catch up on all our Sunday Visits here. Tell us about your origin story? How did you first find the medium of natural dyes? I started natural dyeing in earnest when I started gardening and trying … Read more
For Sunday Visit, Botanical Colors sits down for an interview with a luminary in the natural dye, textile and art world. This week we visit with none other than internationally known and revered textile artist John Marshall, an expert in Japanese textile techniques and all around funny guy. Grab a cup of tea and settle in to learn about someone you never knew! Catch up on all our Sunday Visits here. Cara: I had a really fun time visiting your website and learning a little bit about your history, You have had an amazing practice and career. Can you tell us … Read more
Botanical Colors
Seattle, WA
© Botanical colors 2025