Botanical Colors

Sunday Visit: Drawing with Thread, A year at the loom with Jessie Mordine Young.

Sunday Visit Drawing With Thread A year at the frame loom with Jessie Mordine Young. Jessie Mordine Young. Photo courtesy of the artist. For Sunday Visit, Botanical Colors sits down with Jessie Mordine Young, the New York-based weaver who calls her process drawing with thread. Working in plain weave with naturally dyed fibers and found materials, she builds small, place-based compositions she describes as a form of record keeping. We talked about A Woven Year, her 365-day frame loom project, her tactile collage work, a twenty-piece commission woven from a client’s beachfront, her collaboration with World of Crow, and the … Read more

Foraging in the Fall

Foraging in the Fall This time of year, I am a greedy squirrel. I am constantly looking for acorns, walnuts, chestnuts, hazelnut hulls, little cones, and anything that I think might contain a tannin. Everything I find is windfall: lying on the ground and in abundance. I look for tannins that are almost completely unnoticed by the public, except possibly by other natural dyers. I wonder who else in my neighborhood is circling the same walnut tree, looking up and counting the number of bright green nuts left to fall. The number of tannins that you find is pretty amazing. … Read more

Sunday Visit: The Color of Everything with Alteronce Gumby

Preview: Sunday Visit, Alteronce Gumby Sunday Visit Alteronce Gumby The Bronx-based painter and filmmaker on pigment as geology, two Botanical Colors retreats, and his new film, COLOR in Nature. Photo Credit: Charles White. Courtesy of Jeffrey Deitch Gallery and Alteronce Gumby Studio. For Sunday Visit, Botanical Colors sits down with Alteronce Gumby, the Bronx-based abstract painter and filmmaker whose work treats color as a doorway into cosmology, deep time, and the origins of the universe. A self-described “artist-explorer,” Alteronce builds what he calls “tonal paintings” from resin, tempered glass, and gemstones, materials that refract and scatter light across the surface … Read more

10 Tannins That Don’t Need a Mordant

There are so many mordant variations and we urge you to experiment and find the one that works best for you. If you’re not familiar with the term, mordanting is the most important process of preparing fibers to accept color. Mordanting prepares fibers to bond with natural dyes and is typically a separate immersion bath for the fibers. Many natural dyes require the use of a mordant to achieve the most durable and long lasting colors. Though you might start with the tried and true aluminum mordants, consider trying tannin-rich extracts that not only offer a base color, they prep … Read more

MORDANT MONDAY: What Mordant For Viscose?

YOU ASKED: I received some organic bamboo pillowcases that I would like to bundle dye. Per their website they are crafted from 100% viscose from organically-grown bamboo. Does viscose take color? If so, what is the best mordant to use to get the most vibrant and long-lasting bundle dyeing color? KATHY ANSWERED: Natural dyes work well with viscose, which is the name typically used for fibers extruded from cellulose material, such as bamboo and wood products using a chemical process. It’s sometimes referred to as “rayon” and can contain a number of difference cellulose bases. If you are planning to bundle dye, … Read more

MORDANT MONDAY: Mordant With Liquid Dye + Reusing Baths

For this Mordant Monday – We bring you a question about our Saxon Blue Liquid Indigo! YOU ASKED: Should I mordant (alum is my go to) for your liquid dye indigo? I have read that it is not a needed step but also don’t want to dye without alum and make a big mistake. Hoping you can clarify please!! KATHY ANSWERED: Thanks for your email and the question. The liquid indigo, also called Saxon Blue, was developed in the 1700s to dye wool. We recommend that you mordant and alum is perfect prior to dyeing, and you can also add … Read more

Harmonious and Humongous Color…

Above: each row represents a rainbow that the teams dyed. From top to bottom: Gallo Tannin, Cutch and Myrobalan I just returned from a 5 day workshop at Sanborn Mills Farm, a favorite place to teach natural dye classes. They cultivate a full dye garden just steps away from the dye studio, and the entire farm, animals, historical buildings, teaching facilities and workshops are endlessly inspiring. My workshop started out with a challenging, but modest proposition that we work in three teams and create 12 colors for each team, 36 colors total. Each group chose a palette and we got … Read more

MORDANT MONDAY: Indigo & Discharging Mordants

Mordant Monday is our Monday blog where we provide information about the most important step in natural dyeing! We were feeling the Indigo fever after Britt Boles workshop – Fresh Indigo Five ways, so we revived (no indigo pun intended) this Mordant Monday about Indigo & discharging mordants. YOU ASKED: My question involves the processes of indigo dyeing when combined with other plant dyes that have been mordanted with aluminum acetate. My understanding is that citric acid discharges the mordant and also neutralizes the alkalinity of indigo as a last step in finishing indigo dyed cloth. How would you go … Read more

MORDANT MONDAY: Iron + Mordant = A “Weird Feeling”…

This post is a great question we resurfaced to answer some much needed clarification on iron! YOU ASKED: I bought iron from you guys to use to dye some wool fabric. I used it in a dye bath with coffee. I used your alum to mordant prior to dyeing in advance. I’m concerned I let the fabric sit too long in the coffee + iron bath because it now has a sort of weird feeling to it, almost a coating on it. Curious if there is a way to remedy this? KATHY ANSWERED: Sometimes too much alum can change the … Read more

MORDANT MONDAY: Is Soy Milk a Mordant?

We get mordant questions all the time at Botanical Colors so why not create Mordant Monday??? Got mordanting questions? Email [email protected] YOU ASKED: I am working with earth pigments specifically clay. I am trying to wrap my head around the use of soy as a binder/mordant. Is a coating of soy necessary as an initial application? Then using pigment. Mixed with soy as design than a coating of soy over the whole dried material? Or what?? KATHY ANSWERED: Soy is used as a binder, a “glue” really, to attach clay and earth pigments to a fabric surface. It is not … Read more