Mordant Monday: Kakishibu (Persimmon Tannin)

Kakishibu samples clockwise from top: paste resist by Kentaro Kojima, silk, cotton sashiko thread, cotton with iron, soda ash and kakishibu alone. Natural dyes are fascinating because we can see the history of human curiosity and imagination as it interacts with the natural world. Like, who looked at a hard, green, horribly astringent, inedible persimmon fruit and thought “You know, there’s probably an amazing, insect-repelling, anti-microbial, water-resistant, beautiful color in there if I just ferment it for a couple of years with a slice of eggplant.” Who, exactly? Whoever that clever person was, we have them to thank for one … Read more

Mordant Monday: Chestnut, Fustic, Iron and Indigo

This week’s Mordant Monday focuses on Chestnut. We used Chestnut extract in our gradation and absolutely loved the combination of Chestnut, Fustic and Iron with Indigo. This gradation is slightly different than our previous experiments. This time I did not overdye with a warm shade like Madder, to get corals and pinks. I wanted to focus on green and blue. Like previous examples, when a tannin is combined with other colors you can get exciting mixes and beautiful color blends that harmonize and are perfect for patchwork, creating gradations and stitching. If you are a yarn person, many of these … Read more

Mordant Monday: Myrobalan Magic

This week’s tannin exploration focuses on Myrobalan. I changed it up a bit this week by using our mordanted cotton bandana 6-pack as the base for exploring myrobalan. The convenience was a pleasant surprise and the colors came out beautiful. Myrobalan is a traditional cellulose tannin pre-treatment and dye, and used in Ayurvedic and traditional medicine. It’s an important color and used frequently in India and Southeast Asia. Myrobalan imparts a light yellow on cotton with a subtle light brown undertone, making it an ideal foundation for color overdyeing, and indigo combinations. Like our other examples, when combined with other … Read more

Mordant Monday: Gallo Tannin, Fustic and Madder Gradation

This week’s Mordant Monday focuses on Gallo Tannin, also known as Oak Gall tannin, or Oak Galls. We used the extract made from Oak Galls in our gradation, but a similar result comes from oak galls that have been crushed or pulverized. Gallo Tannin is one of the ancient tannins with many uses, including making black ink, leather tanning, and in traditional Asian medicine. It is the most commonly used tannin when mordanting with tannin + alum, as the color it imparts is very light, and it doesn’t show a strong undertone, like sumac or walnut or other tannins with … Read more

Mordant Monday: R U Mordant Curious?

For Mordant Monday, we answer your Mordant Questions and dive into everyone’s favorite topic: MORDANTS. Are you Mordant Curious? I received a great question about the mordants we carry. Like, you have so many. What is the difference? Does it really matter? Having a variety of mordant choices allows you as an artist to consider your materials before you start creating. For example: if you are dyeing a cellulose fabric, you can use aluminum acetate, or you can use a tannin pre-mordant and then apply aluminum sulfate as the mordant. They will give you different results. We’ve created a table … Read more

Mordant Monday: Spotlight on Sumac

Taking a little time to work more closely with tannins has been incredibly interesting! This week’s tannin exploration focuses on Sumac. Sumac is from the Rhus genus and its scientific name is Rhus coriaria. It’s native to southern Europe and western Asia where it is commonly known as Tanner’s Sumac or Sicilian Sumac. We are fortunate to have number of North American native sumac including Rhus glaubra, sometimes called Smooth Sumac, and Rhus typhina or Staghorn Sumac, known for its dramatic bright red berry clusters. The staghorn berries were used by indigenous people as a tea, and the bark, branches, … Read more

Mordant Monday: Walnut, Madder, Iron and Indigo

Black Walnut Juglans nigra is one of our most interesting tannins and it’s a color that’s native to the North American continent. The entire tree contains color but it is in the green hulls that we find a strong concentration of dark tannins yield light beige to golden brown on cellulose. On wool, black walnut really shines and makes a rich brown shade. Walnut Hull Powder from black walnut (Juglans nigra) is a common source of brown dye throughout North America. The fleshy hulls are full of tannin, juglone and other pigments and are the primary source of the dye. … Read more

Mordant Monday: Spotlight on Quebracho Moreno

Today in our tannin series we move on to Quebracho Moreno. Quebracho (Schinopsis balansae and Schinopsis lorentzii) is an evergreen tree that grows wild in South America. It grows mainly in Argentina and Paraguay in dense sub-tropical forests which also include a variety of other trees and vegetation. The name is due to its hardness, and comes from two Spanish words, quebrar and hacha, meaning “axe breaker”. In fact, quebracho has been used locally for posts, telegraph poles, bridge timbers, railway ties, paving blocks and for any construction where great durability is desired. Quebracho Moreno (we used to carry a Quebracho Rojo, so we called this one … Read more

MORDANT MONDAY: Will Mordant Affect Indigo Dyeing?

We get mordant questions all the time at Botanical Colors so why not create Mordant Monday??? Got mordanting questions? Email [email protected] YOU ASKED: I use aluminum triformate as my mordant for cellulose and silk. I am planning to dye linen with weld and was told that I didn’t need to use a tannin before dyeing if using potassium triformate.If I do need to use a tannin and have already mordanted the linen, do I go back and use tannin and remordant? KATHY ANSWERED: I have concentrated on using a tannin pretreat with aluminum sulfate and haven’t done so as frequently … Read more

MORDANT MONDAY: Using Alum Sulfate For Plant & Protein Fibers?

We get mordant questions all the time at Botanical Colors so why not create Mordant Monday??? Got mordanting questions? Email [email protected] YOU ASKED: I’m confused about the different types of aluminum mordants. I want to do some dyeing of fabric (silk, cotton) and also some wool. Do I need to use different aluminum mordants for these different fibers? I was told that I needed aluminum acetate for plant fibers and aluminum sulfate for protein fibers. Is that true? I have alum sulfate and would love to use it for both if that is workable. KATHY ANSWERED: Mordanting provides lots of … Read more