You searched for indigo round up - Page 4 of 9

Introducing…Botanical Colors Indigo and Alabama Chanin!

We’ve been waiting to tell you all about our collaborative project with Natalie Chanin of Alabama Chanin and so welcome you to the world of blue! Ecouterre writes: “Alabama Chanin is back in blue. After a nearly two-year hiatus, the Florence, Ala.-based apparel label is reintroducing its popular indigo collection, including pieces dyed for the first time on location at the sprawling design and production space it calls “The Factory.” Manufactured locally from 100 percent organic cotton, the revamped range incorporates a mix of basic accessories, classic styles, and hand-embellished one-of-a-kind designs, along with overdyed offerings from A. Chanin, its … Read more

A VIP Indigo Dye Party with Sustainable Powerhouses

Last weekend we decided to get some of our favorite Seattle folks together for a private dyeing party and show them how much fun one can have putting color to cloth. In attendance were Sarah Menzies filmmaker, director and general mind-blower of Let Media, model, activist and humanitarian Kate Dillon who works for forestry protection through Code REDD, business coach Tara Wefers as well as Leslie Ross who is keeping Seattle in proper planetary alignment. There were lots of “Oooohs” and Aaahhhhs” and fun new tricks happened upon by accident but the one thing we loved most? Getting a fantastic … Read more

INTERVIEW: Donna Hardy of Sea Island Indigo

272 years after the first successful indigo crop was planted in the Carolina colonies, Donna Hardy of Sea Island Indigo got an idea to research and track down the original strain of indigo plants that were grown in colonial Charleston. Her research and persistence located a few remaining varieties in isolated areas that had been grown for generations: a pretty but humble shrub hiding its secret blue dye. Armed with a handful of seeds and the offer of a plot of land and free goat manure, Donna started her first crop of indigo and was overjoyed when she tested them … Read more

DIY: Indigo Dye with Cara Marie Piazza

Our good friend and Botanical Colors customer, textile artist Cara Marie Piazza, was recently featured in Gardenista using our rich indigo. Writer Sophia Moreno-Bunge caught up with Cara in her studio and wrote: “Indigo is an ancient color, a natural dye extracted from a plant of the same name, and the only true blue dye in nature. It’s been found in ancient Egyptian mummy wrappings and was so valued by the Romans as a luxury product, the story goes, that the only people who knew how to dye with indigo were hidden away in the forest,” says Moreno-Bunge. “Because of … Read more

You Asked, Kathy Answered: The pH of Indigo

We get lots of emails from customers about challenges with dyeing and needing Botanical Colors’ President Kathy Hattori’s help. Why not share the learning so we can all benefit? From our inboxes to you, it’s simple: You Asked, Kathy Answered. Email questions@botanicalcolors with your plea for help! YOU ASKED: I set up an indigo vat a few weeks ago using fructose and lime. I dyed a few cotton items which worked well and now I want to dye some wool and silk. I’m having trouble lowering the pH. I’ve added more fructose but the pH is still 10.9. I tried … Read more

MORDANT MONDAY: Will Mordant Affect Indigo Dyeing?

We get mordant questions all the time at Botanical Colors so why not create Mordant Monday??? Got mordanting questions? Email [email protected] YOU ASKED: I use aluminum triformate as my mordant for cellulose and silk. I am planning to dye linen with weld and was told that I didn’t need to use a tannin before dyeing if using potassium triformate.If I do need to use a tannin and have already mordanted the linen, do I go back and use tannin and remordant? KATHY ANSWERED: I have concentrated on using a tannin pretreat with aluminum sulfate and haven’t done so as frequently … Read more

Mordant Monday: Chestnut, Fustic, Iron and Indigo

This week’s Mordant Monday focuses on Chestnut. We used Chestnut extract in our gradation and absolutely loved the combination of Chestnut, Fustic and Iron with Indigo. This gradation is slightly different than our previous experiments. This time I did not overdye with a warm shade like Madder, to get corals and pinks. I wanted to focus on green and blue. Like previous examples, when a tannin is combined with other colors you can get exciting mixes and beautiful color blends that harmonize and are perfect for patchwork, creating gradations and stitching. If you are a yarn person, many of these … Read more

Mordant Monday: Walnut, Madder, Iron and Indigo

Black Walnut Juglans nigra is one of our most interesting tannins and it’s a color that’s native to the North American continent. The entire tree contains color but it is in the green hulls that we find a strong concentration of dark tannins yield light beige to golden brown on cellulose. On wool, black walnut really shines and makes a rich brown shade. Walnut Hull Powder from black walnut (Juglans nigra) is a common source of brown dye throughout North America. The fleshy hulls are full of tannin, juglone and other pigments and are the primary source of the dye. … Read more

Seven swatches of blue fabric from very pale on the left to dark navy blue on the right

A Deep Dive into the 1-2-3 Indigo Vat

Indigo gradation from Aboubakar Fofana’s workshop on indigo. The vat is a 7gpl fructose vat. Diving into indigo blue We have been working with the 1-2-3 indigo vat for nearly 10 years and over time made some adjustments to the original recipe from Michel Garcia. Here we share a recent experiment where we set up 4 different types of 1-2-3 vats and present the results. New instructions are linked below for each vat type with hints for a successful indigo vat! You can also search our blog posts for information on indigo vats and answers to your many questions. Our … Read more

FEEDBACK FRIDAY: Indigo Flower Pigment & Stripping Color

This week on FEEDBACK FRIDAY: Painting using the indigo flower pigment and how to strip color from a naturally dyed fiber