FEEDBACK FRIDAY: This Week in Natural Dye Questions
This week on FEEDBACK FRIDAY: Too much dye on yarn and which natural dye extracts can be used without mordanting?
This week on FEEDBACK FRIDAY: Too much dye on yarn and which natural dye extracts can be used without mordanting?
This week: Printing with natural dyes and preparing fibers for pro dyeing results
FEEDBACK FRIDAY has meant so much to Kathy and I, and we know it means a lot to you too. We so appreciate all the emails and notes you send weekly about how they help you through this time. So why not kick off a little series with some of your love letters that make us all feel the love of this natural dye community? Got something you’d like to share? Email me, Amy at [email protected] Dear Kathy and Amy, Thank you so much for the wonderful Feedback Fridays. They have been such a gift during this crazy time. Although … Read more
Check out our guest post on Makers Row! As consumers increasingly look for transparency around the making and sourcing of the products they purchase, designers are striving to meet that need not only the conception of the product, but the manufacturing. While finding the perfect, environmentally-friendly fabric poses a challenge that’s equal parts fun and gratifying, locating a factory that adheres to sustainable practices can prove more daunting. So what are the key things you need to know when identifying the factory that keeps your production process green? We spoke to Kathy Hattori of natural dye studio Botanical Colors, a … Read more
Each week, we are emailed with questions from our natural dye community asking simple and complex questions that we thought might be worth sharing. Here are a handful from this week answered by natural dyer in chief, Kathy Hattori, Founder of Botanical Colors: I am really new to dyeing–is the material to be dyed mordanted first, then dyed? When I developed film/printed photos, you always “fixed” at the end to keep it from continuing to develop. Please help; I’m trying to understand and visualize the process. Many thanks! The procedure that I prefer to use is: Scour or clean the … Read more
272 years after the first successful indigo crop was planted in the Carolina colonies, Donna Hardy of Sea Island Indigo got an idea to research and track down the original strain of indigo plants that were grown in colonial Charleston. Her research and persistence located a few remaining varieties in isolated areas that had been grown for generations: a pretty but humble shrub hiding its secret blue dye. Armed with a handful of seeds and the offer of a plot of land and free goat manure, Donna started her first crop of indigo and was overjoyed when she tested them … Read more
Everyone from kids to adults love to get their hands messy when they dye Easter eggs with natural dyes. This is a fun tutorial for adults and kiddos (parents help, please) to make a little Easter magic. First things first, let’s talk about health & safety: We always recommend working in a very well ventilated area. Although natural dyes are non-toxic, when using fine powders it’s best to wear a mask, and keep the windows open. Be mindful around little ones and pets as you don’t want anything going in mouths that shouldn’t be there. Also, when beginning to set … Read more
Once in a great while a book about natural dyeing comes along that completely changes my perspective on creating color and Eco Colour: Botanical Dyes for Beautiful Textiles by India Flint has my mind buzzing with the possibilities of using natural dyes in a whole new way. Ms. Flint is an Australian artist who collects frozen blossoms, fallen leaves, cast off vegetable trimmings and weeds to create art cloth that is local, sustainable and glows with unexpected and intriguing color combinations. Eco Colour is a complete guide to her unique method of natural dyeing and Ms. Flint generously details her process and … Read more
This week’s FEEDBACK FRIDAY was with natural dye artist and educator Natalie Stopka. Watch the video recording here: From Natalie (chat box questions answered and more!) >Clothlet Resources: The Materials and Techniques of Medieval Painting by Daniel V. Thompson, 1956. An Anonymous 14th Century Treatise De Arte Illuminandi, The Technique of Manuscript Illumination translated by Daniel Varney Thompson, Jr, and George Heard Hamilton, 1933. (full text online) Looking back over my notes, I did pre-mordant my linen clothlets before applying the stain. Because of the weak attraction between linen and alum, it acts primarily to stabilize the botanical colorant rather than bind it to … Read more